Thursday, 27 March 2025

Walk catalogue

Before we left the South of France almost five years ago to come up to the Loire, I catalogued all our familiar dog walks. And here I am again - about to do the same as we move again. Only up the road fifteen minutes but the walks will suddenly all be different again. No doubt, we'll return from time to time and do some the favourite ones for nostalgia's sake, or not . . . maybe they will be just part of that particular chunk of time.

The walks are twice daily; usually not involving the car, unless the weather requires walking in a wood to escape heavier rain. A good source of exercise for us and dog, and time to think, compose stories/music, or just observe the local birds, seasonal changes, etc.


a few years back on the Vendemies walk.

These and the previous walks all have and had names. The Southern ones: The runny fields - where the dogs could really chase each other, run for long stretches, and be exhausted enough to flop to their respective sofas on returning to the house. Up top - a good half hour workout up a steep hillside just nearby. Up top - big: the long circuit with spectacular views and a vertiginous climb at the beginning, again from the door. Vendemies: a favourite walk which did involve a short drive up a small mountain and through a hamlet with the name - Vendemies. You might encounter Monsieur Oui, Oui, Oui, a delightful old guy who lived in the house on its own surrounded by vine fields. There's a whole post about him somewhere on this blog. Sand and Field: a local walk taking in a river walk, sand for Gala (now no longer with us) and across various fields. And several others, including more suburban ambles such as: The music houses walk.

The walks of around here are more pastoral, paths cutting through fields, views of distant lines of poplars, the further away woods and forest, and the cliffs on the other side of the Loire. 

Some favourite ones: The posh house walk - down the road circuit, taking in the posh house, chalky tracks, corn fields and virtually never any traffic. The dogs walk off lead on most of these walks (Or rather Bali does - we lost Gala a couple of years back). The posh house extension - longer walk involving more chalky paths passing through pasturelands. The Cow House walk: longish walk through woodland paths, past munching cows and horses, the ubiquitous tuffeau stone farmhouses, and eventually through the cow farm's land - not possible after a lot of rain as everything becomes pure mud. The Pumpkin field, more pasture land and a good place to nick a few discarded pumpkins/courgettes or whatever has been harvested that autumn. And, pictured below: the Moulin de Lécé - a walk featuring a hamlet which once had its own church, manor, and windmill; a great walk for imagining times before, the vestiges of life before cars, supermarket visits etc. on this walk we often encounter Jean Paul, my often mentioned hero of organic veg production, digging, weeding or preparing his produce for the next market. 







So, the next walks. These are to be discovered, although we have already tried a few out - long steep walks up and down from the Loire to our new house, walks through vine fields - pretty much as far as you wish to go, and walks into the town, past the chateau and with fascinating views across the river and distant woodlands. There will be a few car and foot walks but I think there will be enough just from the door to satisfy dog and ourselves.

Monday, 24 March 2025

Chickencarnation

Our latest short story production. Tale and narration by me, wonderfully inventive soundtrack by Mark Lockett. 

© Kate A Hardy 2025

Nathan, a worker at Smythe Poultry Products, discovers strange, thick hairs newly emerging from his chest . . .


      
 

Sunday, 23 March 2025

Should I keep or should I throw now, part 3

So, we've spent a few weeks of clearing through stuff in our house in preparation for moving. (Yes, we have too much . . .) Our next abode is 50s/60s - no one seems quite sure - and our current house, an 1830s maison de maitre. A lot of the objects and furniture gleaned from vide greniers (car boot sales) and charity emporiums made up the decor of this grander house, and now . . . the 60s/70s kitchen, and weird 'hunting lodge' styled salon of the new place suggest new trips to be made to afore-mentioned places. Great!

We've donated several car loads of items to Emmaus - probably a lot of the stuff came from there - and I've enjoyed spotting the various familiar things on display there. It struck me that it's rather like a brocante library; you buy a Victoriana tea pot, use it and when it's started gathering dust from non-use, take it back and find something else to take its place, thus leaving someone else to enjoy such delights as our naff but wonderful Napoleon and Josephine coffee set, now in the 'best china' section of Emmaus. 

I even remember which Vide Grenier it came from - a very bucolic- scened one situated in a grassy meadow on the heights above Limoux, our old town about ten years ago.



Other items are more difficult to part with, such as this hessian 'gardening bag' that Ezra made at the age of about seven for my birthday. It's never been used for gardening (wasn't sure how to) and has rather been lost at the back of a cupboard, but . . . yes, I see a new future for it -a seed packet storage bag, hanging on the new houses's garage wall. Things that should be kept.


Wednesday, 19 March 2025

78G

Our latest short story on the Londonia Youtube channel. 
A dark-humoured, Orwellian nod to the future of cellular network technology. Narration by me; music and sound design by Mark Lockett.

 © Kate A Hardy 2025



                        

Monday, 17 March 2025

A worm-karma day

We all have our little foibles . . . one of mine is to pick up earth worms when they are on a mission to cross(very slowly) tarmac roads. I hate to see their squished little bodies as they have attempted - not sure why - to reach a different patch of muddy verge. There must be a reason? Perhaps the rain gives them a feeling of wild freedom; an easier way to cross without risk of drying up on their unknown-to-us plans of reaching the other side. 

I just consulted uncle Google about worm behaviours and bodily functions. According various research studies, worms do feel pain, have short term memories - obviously not about road crossing - and have five hearts in their relatively simple blood circuits. Maybe this is just one type of worm; I didn't get any further because as usual I got sidetracked by the increasingly mad questions . . . "What do worms not have?" Answer: "Arms and legs" . . . "Do they eat food?" "Yes. And they like moisture. If they don't have these things, they go somewhere else." Somewhere else. I see.

it was a worm-karma day yesterday; very dank, not actually raining but it had been. Suicidal worms were out in force, ambling - without arms and legs - across all roads I walked down - admittedly quiet roads, but several had already met their demise from the odd passing car or tractor. The dog stood patiently, writing notes in her head about my increasingly odd behaviour, while I found the right, flat stick. The rescue can be done with fingers but the wriggling body, presumably assuming it's about to be devoured by a crow or similar predator is tricky to pick up. On the walk, I rescued around twenty-five worms of various sizes, adding, hopefully to future happiness in life or next lives. On entering the house, I made tea, gave the dog a 'chewy stick' reward and sat for a minute or two thinking about how those worms would be happily burrowing around in the bit of field they had been heading towards - I always place them on the grass/mud that appears to be the chosen destination. Or, perhaps they were silently furious about being whisked away from a crossing the road-dare, or the pure excitement of wading around on a wet tarmac surface. New research study, anyone?

 
                                                                    https://kateahardy.com/
 

Saturday, 15 March 2025

Time to go

Sorry, Harry, you've been a long time with us but another house move? No, think it's time.

I think I've blogged about this picture before . . . or maybe not. Anyway, this album featuring the great Harry Secombe and his look of assured reliability that if he did indeed rule the world he would have excellent ideas about fairness and equality - unlike certain humans who should not be in charge of putting the bin out let alone being given the freedom to rule/decimate/f**k up an entire country, and possible the whole planet - more than it already is - represents a memory of a certain point in time. That was a long sentence but my brain is part frozen ( v cold day here) and I can't currently think of how to shorten it.

Winding back time to about ten years ago in the South of France where we used to live, Ezra and I had gone on a walk into the hills above our town. We had followed a previously un-noticed track and had discovered a strange sort of encampment with lots of dismembered bikes, rusting non-moving vehicles and collapsing sheds. It seems as if all of it had been long abandoned, including a stack of ancient vinyl records. I felt I couldn't leave Harry and his desire to rule the world to get any more rain damaged so took him home and discovered the record inside the sleeve was actually a scratched example of Belgian brass band music. That being thrown, I kept the cover which graced our 70s loo/gallery space, and then upped rank into a framed picture with added Goons photo.

While trying to scale down our collection of stuff for this next house move - see previous posts - I felt the frame could go back to Emmaus and the much faded album cover could finally go, but it will live on on this blog, and in the printed book version so I can forever, if I want to, recall that hillside walk and our discovery of such an odd, hidden place.




Tuesday, 11 March 2025

A tale of love and a certain unusual obsession

A short story from our Londonia channel - silly, for a change, think we are currently witnessing enough dystopia, thank you! And within the story for fellow London fans, a large red chunk of nostalgia . . .

 © Kate A Hardy 2025

https://www.youtube.com/watch?v=jYbPfD4ZcqE&t=130s





Friday, 7 March 2025

Should I keep or should I throw now - part 2

As our moving day encroaches I've upped the throwing out of stuff speed somewhat . . . including tackling the shared art materials chest of drawers which lives in Ezra's room. There were numerous 'oh, look at that' moments as we went through his various sketch books, and then pauses - so do you want to keep it? Er . . . do you? 

On the whole, not keeping was the decision. So I took a few photos to record a scattering of the thousands of interesting draftsmanship attempts/scribbles and rather wonderful drawings, and put aside the ones that would be kept. No doubt these will remain in another drawer and be rediscovered in a decade or two. But that's fine. 80% of it cleared away is quite an achievement. No regrets, and enough preserved to look back over and recall the various phases of his earlier art experimentations. 













 

Monday, 3 March 2025

Autumn Apples and Messiaen


Before Mark and I start on our second audiobook - probably Smithi - the follow up to Londonia, or The Panto Horse End - we decided to limber up with a couple of short stories.  

© Kate A Hardy 2025

Autumn apples and Messiaen. A story inspired by a childhood memory that I often recall when breathing in the scent of stored apples.

If you listen, would you be kind and leave us a like/comment on Youtube. Thanks!


Patricia, the main character 



Saturday, 1 March 2025

Hanging onto stuff . . .

During the general upheaval of preparing to move, things re-appear that may have been hidden away for years or even decades, case in point, my father's clarinet. 


I can't even remember when I acquired it - probably when I cleared Mum's house years ago in a frantic two weeks before it had to be rented out to pay for her nursing home. The instrument has lurked in various cupboards though various moves, an idea of selling it surfacing from time to time to then be squashed by the thought that one of us might learn to play it. Not happening. Mark only hits or bows things - piano keys, cello strings etc, and Ezra has played just about everything else apart from any wind instrument. Me . . . strictly voice since I've ceased being in Samba groups.

And, I suppose I had a certain sentimental attachement to it, not sure why as my useless male parent walked out on Mother and me when I was two months old - and I only met him twice - briefly and with my mother's replacement acting as a neurotic and jealous barrier between us - a whole other story. Recently my dear brother (half-sibling) has enlightened me with more background on the behaviour of my absent Dad; suffice to say, time for the instrument to leave my life. 

Of course, as we do, a quick peruse of the internet revealed that it COULD be worth quite a lot. A very lot if we happened to be lucky . . . so Mark, needing to refurnish his dwindling curry spices supply went off to Paris and stopped in at the 'Buffet-Crampon' (maker of the clarinet) headquarters, and waited with anticipation while they inspected the instrument. He called me later to say it and its case are basically worth more as a doorstop. Ho hum, so much for being able to buy a wood stove for the next house, or taking an actual holiday. I'm sure there's some old proverb about not letting one's imagination create ideas of sudden, unexpected wealth . . . something to do with donkeys and or coins found in a brackish ditch.

Beware the glint of gold, half disclosed, ensconced within a patch of trembling bog reeds. If the donkey's hoof should dislodge a roundness of metal, it hath no doubt the chance of being no more than a momentarily sun-kissed penny. 

Or a Corona bottle top.  

https://kateahardy.com/

  

Wednesday, 26 February 2025

Should I keep or should I throw now . . .

                                                           https://kateahardy.com/

In some ways I love moving house. Yes, it's exhausting, stressful, sad, exhilarating and never ending - if you have a fair amount of stuff, as we do. The 'I love moving' element is the purging of accumulated afore-mentioned stuff - where allowed to . . . Mark is a bit of a hoarder; all relevant or in some cases, nostalgic things, but I'd happily throw out more. He is a musician however, and not a piccolo player - piano, accordion, cello, percussion, etc, as well as an academic so the piles and stacks of papers, books, records and associated items are difficult to part with. 

He's done well so far, especially in tackling his hoard of 'every program of any music event he has ever been to'. There were I think fifty box files of pamphlets, A4 sheets and books all stretching back to his adolescent years and up to the present date. He's culled the collection to fifteen, and I think he would admit it was in some ways a cathartic experience.

Last time we moved I took several van fulls of stuff to charity shops and the tip - probably partly things we had brought with us from a previous and less purge-worthy move - the one where we left the UK and the panic before the move was such that a lot of what-the-hell-is-this . . . what-shall-I do-with-it things remained with us.

I've managed to part with a mass of objects that have been with me since London styling days; brocante props and other boot sale finds along the years. I may still do that teashop/book shop/antique den but I'm fed up with seeing the potential stock, move after move, so it's going and has already gone partly to a story-worthy dealer who rubbed his hands in a Heep like fashion as he went around the house leaving no bit of china unturned. 

My stacks of manuscripts were burned in a sort of ceremony before the last move and I'll probably do it again this time, just keeping the most recent copies - it's somehow worrying to part with them but what's the point of holding onto all those earlier edits and junked ideas . . .  unless I suddenly become intensely famous in which case . . . nope. It's all going.

And then there's the 'Hey! the copy of techniques des autopsies that I found in a boot sale for 2 euros is listed at 350 euros on Abe books.' Plus all the other old 'could be worth something' books we own. I tried a few attempts at selling online but unless you are in the dealer world it's a soul crushingly waste of time. So . . . techniques des autopsies with its delightful and gruesome 1920s drawings will probably come with us along with many other books until we open that teashop/bookshop/antique emporium . . .






                                                          Mark sorting through his box files


          Do I really need old list-diary books . . . and scraps of lyrics. Nope, photo, then bin . . .

Saturday, 22 February 2025

A tale of three lunches

I think I might write a Londonia cookbook to celebrate making do and other related forms of cuisine. It would probably be a very slim tome with one or two actual recipes.

Step one: open cupboard and see what's in it. Step two: open fridge and see what's in it. Step three amass found foods and create something, preferably not involving cat food or trifle.

Last week I was gratified to realise that we could make three different dishes with just a small amount of minced beef and whatever had been sitting in afore-mentioned storage items. The dishes evolved from a sort of spaghetti bolognese with some not-usually-included ingredients such as left-over Brussel sprouts and potato, to the next day which was more tomatoey, and was served with polenta; to the next, and final - (phew) - day where the dish became a yet more tomatoey and spicier invention with crunchy cheesy potato rounds on top. (Personally, I think this was the best of the three - well matured and marinaded in spice) I reckon the whole three plate principals cost about ten euros for both of us. And . . . more to the point, we didn't get poisoned by 'waiting in the wings' food. Obviously I wouldn't try it using chicken or pork, or God forbid, seafood. Arg.

I suppose it's just what we did as students but with a bit more knowledge gleaned along the years of cooking, and my mother's/grandmother's wisdom about having a peasant pot - as Mum called it, of chunky soup 'on the go'.  


                                                                        Lunch Number 3

Tuesday, 18 February 2025

The brilliance of my other half

You sort of know (when you live with someone, and have lived with them for many years) everything, well, not absolutely everything - that sounds a bit surveillance system-esque - about them. But often you forget to admire the unique qualities of that person; too busy just wading through the stuff that makes up the average day, good and less good. 

Working more closely with Mark on our audiobook project over the last year has revealed anew just what an extraordinarily creative individual he is; not just the bread and cake maker, piano/cello/accordion player, academic, composer and teacher . . . It's his library of musical and artistic knowledge tucked away in the high, somewhat wrinkled forehead of his; the personal library that enabled him to come up with the pieces of music, and created/found sounds that he dropped into the story at just the right points, and in just the right amounts. I did put the odd bit of editing in, or suggestion of a different creaking door/bird call/whatever from time to time, but the conception and creation was all his from the atmospheric Londonia theme to the most subtle of nods to great historical composers.

Mark's Londonia suite of piano pieces are a beautiful hotchpotch of ragtime, honky tonk bar, wistful, resonant melodies, and upbeat romps. When we get a film deal . . . come on! we can dream! I do hope the persons responsible for creating the soundtrack will take an audio trip into the non AI and completely original world of Dr Lockett's music.

https://marklockett.com/


During our Londonia podcast - on Spotify or Youtube.


One of Mark's Londonia suite pieces - Fred being the owners of Fred's Threads recycled clothing emporium

Friday, 14 February 2025

And on with the next one...

So . . . I'm sure anyone who reads this blog will know that Londonia has been an ongoing project for many years; from the moment I climbed out of a swimming pool with the idea sloping about in my mind, to the novel being published by the marvellous Tartarus Press, to our audiobook version of the novel, finished after a year of hard work, and now launched. The audiobook can be found on Spotify/Findaway voices, and other platforms - Audible soon.

I'm going to put a review here for the audiobook. It's the first one - apparently you can only do stars on Spotify - bit odd . . .

The person reviewing is also a writer and writer workshop aficionado - Hazel Manuel.


Londonia audiobook review. February 2025

Wow, what an experience. These days audiobooks are my medium of choice for novels, and I listen to a lot of them.

I have to say that Londonia is so much more than a reading of the story. It is a fully immersive experience with original music, scene creations and vivid character portrayals.

The talent of Kate A Hardy and musician, Mark Lockett's performances brought so much to what is already a gripping and un-putdownable novel.

Post-apocalyptic London in 2072 is brought to life with refreshingly human characters, compelling in all their individuality, emotional depth and authenticity, who navigate a dangerous yet community spirited world. 

This is no clichéd, futuristic hero story, although we encounter much bravery in the most dire of situations. Here we experience along with 'Hoxton' her friends, animals and enemies, an intelligent, thrilling and heart-warming tale, all without resorting to tired tropes and stereotypes, so often present in dystopian novels.

The author doesn't shy away from the darkness and lawlessness of post-apocalyptic city life, but at the same time shows us how friendship, community and kindness must be at the heart of surviving in such a world.

I loved the fact that Hardy didn't feel the need to give us a predictable 'happy-ever-after' ending. Instead I was left with a deeply satisfying feeling that life in Londonia will continue in all its glorious chaos, and that there is always room for hope.

                                             


       Me reading in our very Londonia kitchen complete with wood stove-drying washing 

Currently we have a couple of possible leads into the film, world so that would be a nice development . . . After all those years of readers saying this would make brilliant screen material, it would be a happy conclusion for the Londonia world - or a continuing world as there are of course other related books.

The next audiobook project has to be decided. We might do a short story while we consider jumping into the vast time commitment of a whole narrated book. When we do jump it'll either be the follow up to Londonia - Smithi, or a time-travel tale called, the Panto Horse End, or possibly, The Hundred and Fifty-Eighth Book, a wry humoured, roller coaster of a story featuring Hamish who a reader described as a cross between Withail and a more loveable version of Bernard from Black books.

I would just like to say again a massive thanks to all the people who supported us on Kickstarter to get the audiobook done, and all the readers of my work over the years who have believed in it!

For more info on my other books, please check my website - I can't put a live link here but it's kateahardy.com

If you read the book or listen to the audiobook version, and enjoyed the Londonia experience, please leave a review/stars on the audiobook platform/ Goodreads/Amazon, etc. Thanks! 



                                                                   Bernard of Black Books

Yr average panto horse


Withnail (on the right, IF you don't know the film . . .








Monday, 3 February 2025

Launched!

Our audiobook of Londonia was launched today on Spotify's Finally voices - and other platforms. To celebrate a year's worth of work we held an event last evening in the salon of a beautiful C14th building in our local town, Saumur. Owner of said house is the most generous and relaxed human being - you just tell me when you want to do the event; I'll provide wine, and make tea. Just do what you like, move the furniture around, whatever . .  numbers of people? Up to you; I'm sure we can accommodate a good crowd, etc.

In fact nearly everyone turned up except someone who got stranded in Nantes, and a couple of flu-struck bods. It was a lovely evening. Mark played some of the Londonia pieces he had composed for the story; I did quite a few readings and tried out my accents, and people seemed to want more - a useful experiment!

Mark had made Jake the Prophet's ParkPlace pies, which were fantastic, and Hackrovia WTC cakes (Whatever is in The Cupboard, cakes). A great mix of nuts, dried fruit, flour and spices.


The last Londonia launch we held was back in 2021 in London when the hardback book came out. Interesting timing . . . the 13th March, literally a couple of days before lockdown. We had a good crowd with only a few, possibly sensible, people staying well clear, but there was a palpable feeling of angst about what was about to happen. This time was certainly more relaxing . . . 


Thursday, 30 January 2025

What...really?

Things that you find when purging stuff for a house move. Yes, I allowed myself to be dressed in white acrylic lace, and a sugar pink satin gown when I normally would have been attired in jeans and an old tweed jacket, or striped trousers and winkle picker red boots, but it was respectively the late 70s and early eighties.



Me on the right both times, with perm and then shorter hair do, feeling like a total pillock. I can't recall much about the first wedding - my cousin Theresa's as the later pictures of the day show the level of alcohol imbibed; the second, a horrific event in a faux posh hotel which I think I blocked out of my mind. There's another picture of me in a lime green bridesmaid dress which I haven't come across yet . . . 

Tuesday, 28 January 2025

Londonia podcast. Episode 2


Mark Lockett - composer of the Londonia soundscape introduces the ouverture, or prologue of the audiobook.

As with the last episode, I can't create a direct link. Please copy and paste into your browser, or find the podcast on Spotify.

https://open.spotify.com/show/5N4RjF6NA9Ss0xsIwoCWpf?si=2feebeadfe8d4c71

Sunday, 26 January 2025

Celebrating a year of work!

 


Londonia, the audiobook launches 3rd February 2025

We are holding an event to mark the end of a year's worth of work! Please come and share our celebration, and enjoy a glass of wine and nibbles. Live readings by Kate A Hardy (the author), and Londonia-inspired music by Mark Lockett, composer of the audiobook soundscape.

The event will be held in Justin Wescombe's beautiful house on Sunday 2nd Feb at 16:30 - 2 Montée du Fort, Saumur (just off Place St Pierre). Please note, there are stairs.

We hope you can be there!

RSVP to Kate (as numbers may be limited)

katehardy25@gmail.com  

Portable : 06 85 48 95 13

https://kateahardy.com



Wednesday, 22 January 2025

The Londonia podcast

Our podcast introducing behind the scenes work on the Londonia audiobook, interviews, and weekly sample chapters. Please click on link below. Actually . . . it's a bit more manual than that - in true Londonia style. Please copy and paste into your search engine.

https://open.spotify.com/episode/1HC8jf5x0hTV0OLKh5iXvd?si=TOdEiArhSmOOgEA-TwDtCw

The whole audiobook will be launched on the 3rd of February on Spotify's Findaway Voices.











Dog portraiture

Bali, our rescue Galas, or Spanish greyhound has probably been photographed at least 2,000 times; on walks, playing with old slippers, looking unbelievably elegant, and gazing adoringly at Mark, and the other members of her pack, but more so, Mark. He who never wished to have a dog, and actually uttered words such as, no way are we having a dog, he, I suspect is the soppiest dog owner amongst us. 



The no dog idea was undermined by me and Ezra years back when Mark went back to the UK for two weeks. During that gloomy and freezing February fortnight I went to the SPA (dogs' home) in Narbonne with then eight-year old Ezra and said we would just . . . have a look, with the promise (unlikely, I thought) that if there was a Jack Russel or some species of greyhound, I might think about offering it a home. And of course there was dear old Una, our first greyhound-type dog, an elderly Italian greyhound-cross, crossed with, no idea - she was considerably larger than the usual Italian variety. So we took her and her withered leg back home, stopping at a dog washing shop on the way home(the smell!)

Mark had glanced at her when we all went to meet him at the airport and had uttered something calm and cool along the lines of, "thought that might happen". But he was soon dog-addicted: walks, sofa snuggling, appreciative of the always manically-pleased-to-see-him little pointy face and wagging tail of that old dog. And she was old when we got her - already ten, but she went on to live until twenty, and it was a sad beyond sad day when she went. 

Then followed Satie, the runty Italian Greyhound, a tiny dog of immense character, then Gala a rescue Spanish Galgas, and following on, Bali, our remaining greyhound. Dog of never-ending enthusiasm for walkies, dog of sofa, dog of playing; perfect dog. 






Thursday, 16 January 2025

Moving on...

Not as in the game show title I gave to a rather vile and scary TV series in my follow-up to Londonia . . . but us, moving on, to a new abode. Or rather an old 1968 breeze block built abode as opposed to our current large and elegant 1830s house.

A couple of reasons: achey stuff that is not really going away - our doc looked at me with a raised eyebrow and said: 'the cure for hip and back tendonitis . . . stop doing the things that cause the problem - i.e lots of heavy gardening, wood shifting, hefty housework. You're not thirty anymore, or even forty, or . .  OK, I said, I get it.


                                                               A section of the garden

                                                                          The wood

Also, it's time for a town stint. Mark needs to be near other musicians, and to be able to give music lessons as our earning potential as artists is pretty useless, to say the least. 

It wasn't an easy idea to take on board at the outset. All the work we've done here, the magnificent garden, the privilege of living in a beautiful old house with all its history. Mark was not keen, mainly as uprooting all our stuff again was indeed an unpleasant idea, exhausting, just the idea of it! But thanks to a rather crazy 1970s house I had pinpointed on the main island of Saumur, he began to imagine life in the town. We visited the house a few times and put in an offer but due to the long standing feud between the inheritors of said house, none of them were speaking to each other. The weeks turned into a few months and still one of them refused to accept the offer, so we started house hunting again. 

Meanwhile our house had had an offer and we had gladly accepted, mainly as the lovely buyers have the same vision as us - preserve the garden as a haven for wildlife as it has been for the last forty five years - thanks in great part to our wonderful previous house occupant who had planted most of the trees, bushes and flower gardens. You have to accept when selling a property that your potential buyers may have very different ideas to you, and our hearts had sunk a few times as folk had talked of selling off the wood (madness! absolute insanity when the wood provides all the house's heating!) or had talked of ripping things out in order to install a pool, etc... We are supremely happy to know that the house's next dwellers will love the house, and continue to add life to these incredible gardens.


                                                      One of my favourite garden views

So, the next project . . . very different. No wood (sob) but a reasonable space for creaky people to carry on the nature welcoming idea - a bird refuge, pond to be added, trees to be planted, vines and wisteria to be grown for shade, and vegetables to be grown on the weird long strip of fertile-looking garden behind the house. The agent had described the property as atypical, and I had said, that's ok, we are too. And it is - a very odd layout but the main interest being the large salon. I had been searching for a house with such a room so we can finally install our inherited grand piano (thank you dear Rosemary) and even do house concerts, music lectures etc. Another reason that the house 'spoke' to us three is that there is a view of the railway line from Thoars, through Saumur and on to Chateau du Loire. This will be the third house we have lived in which features a railway line as part of its soundscape, something we love! 




Large salon with deer's head - previous occupant was a keen hunter

The location is interesting; on a road where there were once thirty windmills, now, four, non-functioning, and an enjoyable amble into town via the Saumur Chateau into the main square for the weekly market and joy! cafés etc. Life will be more on foot, and the dog walks surrounding the house are new and inspiring. 

So, time to amass boxes, purge stuff - had a good go already - a car boot load of ? to Emmaus, and much more to go . . . why do we keep all this stuff? I'll try hard this time to not let the clutter encroach.

Tuesday, 7 January 2025

2025

January was welcomed in at our house by Mark making his own 'Galette des Rois': Puff pastry, frangipane edible round item that appears by the pantechnicon-load at this time of the year in all French bakeries and supermarkets. 

Not biased or anything . . . but his G des R was (and still is - large version) far superior.

Happy New Year to all my regular blog readers and anyone who happens to stumble into the attic of my mind.