House concerts. Slipping back towards the time where most houses, however modest, had a piano in the parlour, and aunty Joan or someone would know how to thrash out a few tunes for a sing-a-long.
Being fortunate enough to have inherited my wonderful godmother's grand piano, and even more fortunate to have found a house with an unusually ample salon to install it in; and even, even more fortunate to have a brilliant pianist to play the thing as part of the household, house concerts were an early idea when moving here.
This appears to be the future, to my mind anyway. Fuel is going to become expensive enough that people may seriously start considering whether driving two hours to stand within a heaving crowd to listen to live music is actually a fun thing to do. Pub bands, local theatre, pantomime, chamber groups, local choirs, and house concerts might be a better option, along with strengthening local community, and actually meeting your near and slightly further away neighbours.
We put on several concerts last year, one a month, mainly in the winter when most of the town's activity has quietened. Anyone looking for something outside of snuggling in front of Netflix could walk, cycle or drive to engage with some live music.
On Friday, we started a new 'season' with an evening entitled "London - Past, Present and Future", including book reading from my novel Londonia set in 2072 and piano pieces written by Mark for the the audio book version, pieces by London composers from the time of the 1st World War, moving into the 60s and the 80s with a few iconic songs, and finally "Champagne Charlie" the main song from the 1944 Ealing comedy of the same name, with 'audience participation'!
A wonderful, warm and sociable evening, where we got together with friends, neighbours and music school associates. It's not just the music and the theatre; it's the sharing of food, drinks and above all conversation. It is the future I think, another element in a system that must surely change to local inventiveness, sharing and appreciation of friends and colleagues talents.
Amongst other concerts for this season so far planned : jazz duo friends, opera from Tours, darkly atmospheric oud/bass guitar/modular synth outfit, a concert celebrating the centenary of Morton Feldman - (a favourite composer of Mark's); open mike events, and a celebration of "Fecos" - carnival music from Limoux where we used to live in the south, and a concert of our son and his girlfriend's duo... if I can persuade them.
Me reading through the verses of Champagne Charlie
One of the winter concerts
